Video Editor

Use free video software to create and edit videos of any complexity from a family greeting card to a company presentation. Cut, merge video files, apply visual and audio effects, use filtration and image correction, make slideshows and add an appropriate soundtrack. Use multi-color Chroma Key and advanced parameters settings to give your video a professional look. All popular video and audio formats are supported.

Video Converter

This program is intended for converting video files from one format to another. Nearly all popular video formats are supported (both reading and saving). In addition, the program drastically simplifies the task of converting videos for playback on specific multimedia devices, such as iPhone, Samsung Galaxy or Huawei P30 Pro. The program is extremely easy to use, has a modern interface and all necessary video processing functions.

Audio Converter

The audio converter will help you convert audio files from one format to another. All key audio formats and codecs are supported. The program also allows you to manage playlists and meta tags, extract audio from video files and save these tracks on your computer in any format.

Audio CD Grabber

This audio tool is intended for grabbing audio tracks from compact discs and saving them to the user’s computer in any format. Nearly all popular audio formats and codecs are supported. The program can also extract track details from the FreeDB server for automatic file renaming and updating meta tags.

How to Use the Stabilization Tool

Have you ever captured great footage, only to find it ruined by shakiness? Shakiness in videos can be caused by many things when using handheld devices like smartphones or GoPro cameras when you don’t have a portable stabilizer to set your camera on during recording. That’s why VSDC's Stabilization tool is here to rescue your videos from unwanted jitters. It allows you to remove the effect of camera shake from captured videos, transforming shaky shots into polished, professional-quality content.

The stabilization process involves examining the shaky footage and making frame-by-frame adjustments. This may include cropping the edges, rotating or shifting frames, and using advanced algorithms. The outcome is a smoother, stable video that's visually appealing. Continue reading to learn about this useful tool and watch our video tutorial to see everything with your own eyes.

Getting started

First, launch VSDC and navigate to the Tools tab on the Ribbon command bar in VSDC and select Video stabilization. Please, note that this is an advanced feature and is only available to PRO users.

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After selecting Video stabilization, a pop-up window will appear warning you that the stabilization tool does not have a real-time preview. This means that the effects of the settings you apply will only be visible after you export your video. Click OK to start working with the tool.

To get started, you need to add your footage. Use one of the following options above the Source files panel:

Open files: Use it to select one or multiple files from your computer. Note, that if you already added files to the Source panel, this option will delete them and replace them with the ones you select.
Add files: Use it to add files to previously added items.
Add folder: Use it to add all files from the selected folder.
Add DVD: Use it to add files from a DVD or from an HDD.

If you made a mistake in file selection or want to remove the entire list, use the options Close files or Close all files. To access information about the properties of a specific file in the Source files pane, use the File's information option on the same panel.

Adjust stabilization settings

Stabilization settings are located on the upper toolbar of the video stabilization window. In the Stabilization tab you can smoothen the video and ensure the most optimal stabilization result. Let’s review it in more detail.

Shakiness

Shakiness setting controls how much the video stabilizer corrects the shakiness in your video. Imagine, you’re recording holding the camera in your hands or moving quickly, and the video looks shaky or unsteady. This setting will help to make it smoother.

This is how it works:

You can select the value of shakiness correction from 1 to 10.
If you set it to a minimum, the stabilization will be gentle. It’ll fix some shakes but still keep some of the original movement. It will result in a more natural look of the video like in a documentary.
If you set the value to 10, the stabilization will be strong enough to fix even really strong shakes. This option is great for a video with much action or movement.
The default value is 5. If you set it like this, it will smoothen the shakes but still keep some natural motion. It’s a good starting point for most videos.

Accuracy

The Accuracy setting controls how carefully the video stabilizer looks for shaky movements in your video.

This is how it works:

You can set the value of accuracy from 1 to 15.
If you set the value to a minimum, the stabilizer will operate faster but it may miss some shakes. It is suitable for videos where speed is essential and minor camera shakes can be tolerated.
The default value is 15. If you keep it, the stabilizer will analyze the video very carefully and catch even tiny shakes. This will make your video look really smooth, but it might take longer to process. So, choose the value that matches your video's complexity and how perfect you want it to be.

Step Size

The Step Size setting determines the interval in pixels at which the video stabilizer scans the region for the best way to fix shaky footage.

This is how it works:

You can set the value of step size from 1 to 32 pixels.

If you set the value to a minimum, the tool will analyze each pixel in the frame to look for unstable footage. This can make the fix very accurate, but it might take longer to process.

If you set a value closer to maximum, the tool will use a bigger step size, jumping over pixels. As a result, fewer spots will be checked, but the scanning process will be much faster.

We recommend using the default step size (6). It is a good balance between being accurate and not taking too long to fix the video.

Smoothing

The Smoothing setting applies a denoise filter to the camera movements resulting in a smoother and more stable video output. This setting refers to the number of frames (forward and backward) used for filtering.

This is how it works:

If you set it to 0, the smoothing filter will not be applied. The camera movements will stay as they are in the original video without any changes.

If set at larger values, like 20 or more, it’ll make the video very smooth, but may slow down the way how quick the camera can move around. It is useful when you want gentle and slow camera motions, like in slow and steady shots.

We recommend setting the default value (15). It means that 15 frames before and 15 frames after the current frame will be used for smoothing. It’s an optimal value for most of the videos to get rid of shaky and jumpy motions.

Max Shift

The Max Shift setting determines by how many pixels the frames in the video can move to fix the shaky camera movement.

This is how it works:

If you pick the default value (-1), you set no limits to how far the frames can move. This helps the video stabilizer do whatever it takes to fix the shakiness without being restricted.

If you set another custom value, for instance 5, it will limit the tool in terms of how far the frames can move. The stabilizer will still do its job but make sure that the frames do not move more than 5 pixels in any direction. This is useful when you want to fix shaking but still want to keep the video looking natural.

Max Angle

The Max Angle setting determines how many degrees the frames in a video can be rotated to fix shaky camera movement.

This is how it works:

If you set the default value (-1), it means that there is no limit on how much the frames can be rotated. This lets the stabilizer rotate the frames as much as needed to fix the shakiness without any restrictions.

If you set a positive value, for instance, 10, it will limit the stabilization tool in rotation. It means that the stabilizer will work on fixing the shakiness while making sure the frames don’t rotate more than 10 degrees. This is helpful if you want to avoid frames being turned too much and keep the video looking as close to the original as possible.

Contrast Threshold

The Contrast Threshold setting determines how noticeable objects should be in the frame for the stabilizer to catch it and fix it. This parameter sets the contrast threshold that the program takes into analysis during the stabilization process.

This is how it works:

You can set the value of contrast threshold from 0 to 1.

If you set the default value (0.25), it means that the stabilizer will work only on areas that have a clear difference in color or brightness. This helps make sure that the tool fixes things that are easy to see in the frame.

If you set it lower, like 0.1, the stabilizer will extend the analysis and work on the objects that have a less clear difference in color or brightness. This may help to capture more details, especially if the video has lower-contrast scenes or subtle movements. The downside is that the video may look a bit messy if the stabilizer catches on objects that are unclear within the frame.

If you set a higher value, like 0.5, the stabilization tool will only work on areas with a very clear brightness difference. This can make the video look smoother, but it might miss some subtle details. This setting will work perfectly well with a high-contrast video and well-defined features.

Zoom

The Zoom setting specifies by how many percent the image will be enlarged or reduced during stabilization. This means you can either zoom in (make things bigger) or zoom out (make things smaller) in the video. The Zoom effect can be cool for focusing on details or creating a specific look.

This is how it works:

If you set the default value (0) there will be no zoom effect. The video keeps its original size without any changes.

When you set a positive value (like 10), it will hide the video boundaries, making it less noticeable that stabilization has been applied. A negative value (like -5) will allow stabilizing the video without losing important areas at the edges.

Zoom Speed

The Zoom Speed setting controls how fast the zoom changes from frame to frame during stabilization. This option helps you control how quickly the video zooms in or out from one frame to the next. It's great for making engaging and dynamic videos.

This is how it works:

The default value is set to 0.25, indicating that each frame can be maximally zoomed in or out by 0.25% during stabilization. This setting provides a gradual and moderate zoom effect over time.

You can pick a different number from 0 to 5. Smaller numbers (closer to 0) make the zoom change slowly, like a gentle transition. Bigger numbers (closer to 5) make the zoom change faster, which can create a more noticeable effect.

Optimal Zoom

The Optimal Zoom setting controls how the video stabilization handles zooming to avoid empty borders.

The following options are available:

Without zoom. The video will retain its original scale.

Static zoom (default setting). The stabilizer picks the best zoom value to minimize empty borders. This works for most cases.

Adaptive zoom. The stabilizer adjusts zooming for each frame to ensure no black borders are visible. The Zoom Speed affects how fast this happens.

It's important to note that the Optimal Zoom value interacts with the Zoom parameter, where the value set for Zoom is added to the optimal zoom value determined by this setting.

Smooth Zoom

The Smooth Zoom setting controls how zoom adjustments are handled.

The following options are available:

Without smoothing. Zoom changes happen directly, suddenly. This might work for artistic effects.

Use the smoothed zoom. Zoom changes gradually and smoothly.

Interpolation

The Interpolation setting allows you to specify the type of interpolation used during the video stabilization process. Interpolation is a crucial aspect of video stabilization, determining how frame adjustments are made to reduce jerky motion and ensure seamless transitions between frames.

The following options are available:

Without interpolation. This means no smooth connection between frames. The adjustments might look abrupt as if frames are changing suddenly.

Linear. Only smooths things horizontally, like left to right. It helps make horizontal movements smoother.

Bilinear (default setting). This is the default option. It smooths both horizontally and vertically, making the changes between frames look smoother and more pleasing.

Bicubic. This is a higher-quality option that smooths both horizontally and vertically too. It gives even smoother results, but it takes more time to process.

Camera

The Camera setting allows you to choose the algorithm to optimize the camera movement to reach a smoother video representation.

The following options are available:

Optimal (default setting). The algorithm determines the best way to adjust the camera movement to make videos look steady and high-quality.

Gaussian. The algorithm applies a Gaussian filter to the camera motion. It helps smooth out the camera's path and makes the transitions between frames look more pleasing and stable.

Average. The algorithm blends the camera motions with neighboring frames to achieve smoother transitions and enhance overall stability.

Crop

The Crop setting allows you to define how to handle empty frame borders or gaps formed during stabilization.

The following options are available:

Keep border (default setting). The gaps are replaced with the content from the previous frame.

Crop border. The gaps are filled with black, making the edges clear. It means that you may lose some content from the edges.

Invert

The Invert setting determines how the position of the pixel in the image will be adjusted during stabilization. There are 2 options: based on the previous frame and based on the next frame.

The following options are available:

Forward transforms (default setting). It adjusts the pixels' positions in each frame based on how the previous frames moved. This helps make your video steady by making sure each frame is aligned with the ones before it.

Invert transforms. It adjusts the pixels' positions in the current frame based on how the future frames will move. This can have artistic or technical effects, but it might not make your video as steady as the default forward choice.

Relative

The Relative setting lets you choose whether to adjust frames based on their differences from the previous frame or independently without considering the previous frame.

The following options are available:

Relative transforms (default setting). Each frame will be adjusted based on how it's different from the previous one. This helps make your video look smoother as frames align with each other.

Absolute transforms. Each frame is adjusted without considering the one before it. It might make transitions between frames less smooth, but it can have artistic or technical uses.

Motion

When you're fixing a shaky video, you need to know how the camera moved overall in each frame. This is called "global motion." The "Motion" setting lets you choose how to figure out this movement. There are two choices:

The following options are available:

Accurate method (default setting). It uses a precise method to detect how the camera moved. This gives you high-quality stabilization results.

Fast method. It detects camera movement rather fast, but it might not be as precise as the default method. It's useful when you want your stabilization done quickly and you don't need super accurate results.

That’s it! Now you are ready to proceed to the next step and see the result. In case you want to reset all settings to default values, simply click the Reset to defaults button next to the Export project button.

Preview and Partial Video Export

As we’ve already mentioned, the stabilization tool does not have a real-time preview. This means that the effects of the settings you apply will only be visible after you export the stabilized video. Therefore, if you are satisfied with your current settings adjustments, you can proceed to exporting by clicking on the Export project button right in the stabilization window.

However, if your video is lengthy, and you would like to assess the impact of the applied settings before exporting the entire file, you have the option to export only a shorter segment of your video. To do this, navigate to the Editor tab located on the right to the stabilization window. Here, you can use the cutting and splitting tools available to shorten your video and focus on specific sections. To learn more about cutting and splitting tools, we recommend you to watch our video tutorial.

Wrapping up

In the world of video creation, shaky footage can be a real downer, but with VSDC's Stabilization tool in your arsenal, those worries are a thing of the past. By offering a range of powerful settings that cater to your specific needs, VSDC empowers you to transform amateur videos into professional-looking masterpieces.

Whether you're a content creator sharing memories, a social media enthusiast, or a professional working on important projects, the Stabilization tool enhances your videos' quality and elevates the viewing experience. Remember, while mastering the tool might take a bit of practice, the results will undoubtedly speak for themselves. So go ahead, dive into the world of smooth, polished videos, and unlock the full potential of your creative vision with VSDC's Stabilization tool. Happy editing!

Removing Watermarks and Hiding Logos from a Video in VSDC

In today's digital landscape, watermarks and logos serve as both protective measures against unauthorized use and symbols of brand identity. Yet, there are legitimate circumstances for removing watermarks and hiding logos from a video, whether for aesthetic reasons, content reusability or to avoid native advertising. So, as you see, knowing how to efficiently eliminate or conceal watermarks becomes essential, and VSDC Free Video Editor emerges as a powerful tool in this domain. This article provides solutions on how to effectively tackle these marks using VSDC. Dive in to master this art and elevate your video editing skills!

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DeLogo Filter

Offered in the free version of VSDC, the DeLogo filter presents a straightforward approach to remove watermarks, obscure unwanted logos or other overlay graphics from videos. It can be applied the following way:

Start by launching VSDC Free Video Editor. Click on the Blank project button to create your own project.
Then choose a file in the file explorer, drag it to the scene and drop the mouse button. If you are new to VSDC and want to learn more about how to get started with VSDC, we advise you to watch our comprehensive video guide.
To access the DeLogo filter, make sure your video file is selected on the timeline. Then head to the Video Effects tab located on the Ribbon, opt for Filters from the dropdown menu and choose the DeLogo option.
After selecting an object, a pop-up window will emerge, allowing you to define the exact timing for when the effect should be visible and when it should disappear. As soon as you're satisfied with the configurations, click “Ok” to confirm changes. Then you'll observe a pixelated rectangle in the video's center. Simultaneously, DeLogo filter will appear on the timeline.

Removing Watermarks

If the default settings aren't ideal:

Click on the DeLogo filter on the timeline and navigate to the Properties window on the right side of the scene. If it isn't immediately visible, right-click on the DeLogo filter and select Properties. In the Properties window you can adjust the size and position of the pixelated rectangle, ensuring it effectively covers the watermark or logo.
Within the settings, you have a choice of five presets: Pixelate, Box blur, Lens blur, Mosaic, and Gaussian blur. Choose one that best fits your needs.
Below, there's an option to adjust the intensity level to fine-tune the appearance.

Now the logo is covered by a blurred rectangle and successfully hidden from your video. If you are satisfied with the result, export your project. This way you can easily remove watermarks, logos, GPS details, vehicle registration numbers and more. So, you see that the DeLogo filter is quite handy, allowing for performing different tasks. But if you are looking for an even more refined appearance, Telea mode is your go-to.

Telea Mode

For those desiring a highly discreet and sophisticated watermark hiding technique, Telea mode is the answer. Unlike basic blurring or pixelation methods that might leave visible traces, the Telea method is based on an algorithm that fills in the unwanted region by analyzing and replicating the surrounding pixels, allowing for a more seamless and discreet removal. However, this feature requires an upgrade to VSDC Pro, which unlocks a world of advanced video editing capabilities. So, this is how to use the Telea mode:

Again, start by uploading your video into VSDC Free Video Editor. To do this, follow the steps described above.
Navigate to the vertical tab on the left of the scene and choose the Rectangle tool.
Use this tool to craft a rectangle that matches the size of the object you wish to conceal, positioning it accordingly.
Select the Rectangle on the timeline and navigate to the Blend menu on the left of the timeline.
In the Blend menu find Advanced modes >> Telea inpaint in the drop-down menu and click on it. That’s it!

Removed the watermark

As a result, Telea mode has removed the watermark by replacing it with the existing parts of your video. So, the area's edges are almost invisible and a bit more subdued than with the DeLogo filter.

Please, note, that when you apply Telea mode in a video editor and launch the preview, you might notice a slowdown. It occurs because both the video and the mask are being processed simultaneously. To optimize the editing process and prevent such delays, we recommend you to convert the original video into a proxy format.

Wrapping up

Removing or hiding watermarks and logos can be a challenging task. VSDC Free Video Editor has proved to be an effective tool for this purpose. Whether you opt for the straightforward DeLogo filter or the more refined Telea Mode, it's crucial to use these instruments responsibly and ethically, always respecting the original content creators' rights and intellectual property.

As you continue your video editing journey, subscribe to VSDC YouTube channel to receive instant notifications about new tutorials published. And if you have any questions or need assistance, you can reach our support team via email at This email address is being protected from spambots. You need JavaScript enabled to view it. or through Facebook and Twitter.

How to Work with the Scopes Window in VSDC

How do you evaluate the accuracy of exposure? How do you determine if color correction is necessary? How do you identify overexposed or underexposed areas? Sometimes a mere visual assessment is insufficient to answer these questions and more.

In this article, we will delve into a powerful color analysis tool - histograms, which are accessible in the Free version of VSDC Video Editor. They enable you to objectively assess the color distribution within the frame and determine if color correction is required.

We will guide you through the process of working with this analytical tool to achieve your desired outcome.

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What is a histogram?

Histograms are visual graphs that display the pixel values of a frame, enabling the analysis of brightness, contrast levels, and color balance of an image. They provide objective information about the characteristics and deficiencies of the image, helping to determine if color correction is required.

In VSDC Video Editor, you can access histograms in the Scopes window, typically located in the bottom right corner of the software. If you don't see the window, navigate to the View tab in the upper part of the program and activate the corresponding option.

At the upper left corner of the Scopes window, you'll find a dropdown menu that allows you to select the object to be analyzed: the selected media file or the overall scene. To fix your selection, click on the selection field with the left mouse button, then with the right mouse button to confirm.

In the upper right corner, there's another dropdown menu offering four Scopes modes: Wave, Parade, RGB, and Vectorscope. Each mode provides information on the brightness and saturation of the pixels in the frame, with slight differences in representation and details.

Let's explore each mode in more detail.

Wave

By default, the Scopes window displays the Wave mode, which allows you to analyze the brightness and color values of the scene or selected object. When you place the cursor on a frame in the timeline, you can observe the characteristics of that frame represented as pixels in a waveform on the graph. It's important to note that each column on the graph corresponds to a column of pixels in the object.

The horizontal axis (X-axis) on the graph represents the distribution of color tones of the object from left to right. This means that the left side of the object corresponds to the left side of the graph, and the right side of the object corresponds to the right side of the graph.

The vertical axis (Y-axis) of the graph represents the brightness of color, ranging from 0% for black tones (shadows) to 100% for white tones (highlights).

Let's review several specific examples of using this mode:

Uneven brightness: If the graph shows a significant imbalance in the heights between the left and right sides, it may indicate an uneven distribution of brightness. In such cases, you can use the corresponding tools in the Basic Effects window above the Scopes to adjust the brightness or contrast levels and achieve a more balanced distribution.

Scopes Window

High or low contrast: If the graph shows a narrow and high waveform, it may indicate a high contrast in the object, where bright and dark areas strongly contrast each other. In this situation, you may need to decrease the contrast or adjust it to achieve the desired level.

Scopes Window

Lack of details in shadows or highlights: If the graph shows clipped peaks, it may indicate a loss of details in the shadows or highlights of the image. In this case, you can adjust the brightness and contrast to restore the details and create a more balanced image.

Scopes Window

By default, the waveform displays RGB values (Red, Green, Blue) for each pixel. If you need to not only evaluate the brightness and contrast levels but also determine which color components predominate in each area, you can activate the RGB channels separately:

Scopes Window

However, if you want to solely focus on the levels of brightness without being distracted by the color components of the object, you can switch to the Luma mode. This mode will display the histogram in black-and-white, showing only the relevant brightness characteristics.

Scopes Window

Parade

The Parade mode is useful when you want to determine the predominant color (red, green, or blue) in the scene or object. In this mode, the color channels are displayed closely together without crossing. The horizontal axis (X-axis) represents the selected frame in pixels, with three miniature graphs for red, green, and blue colors respectively, maintaining their orientation. The vertical axis (Y-axis) represents the brightness of the color from dark to light.

By analyzing the graphs of each color channel, you can determine their respective predominance. If one color channel's graph has a higher peak or if the waveform is positioned higher on the graph, it indicates that there are more pixels of that color in the scene or object.

The Parade mode provides a detailed examination of color distribution. If you need to correct a specific color channel, we recommend using the RGB curves tool available in the Color Grading panel. Additionally, you can focus on a specific color by disabling the display of other channels using the corresponding buttons above the graph. This allows you to isolate and make adjustments to individual color channels as needed.

RGB

In RGB mode, the graph displays curves for the three color channels: Red, Green, and Blue. Unlike other modes that are linked to pixel columns of the frame, RGB mode provides tonal information about the object as a whole.

Each color curve is represented by a separate line, showing the distribution of brightness values in a color channel. The horizontal axis represents different levels of brightness, while the vertical axis displays the quantity of pixels at each level. The height and shape of the curves provide information about the predominant color channels and the distribution of brightness among them.

Here are a few examples to consider:

If the curve of one color channel is higher than the others, it indicates that the object contains more brightness in that particular color.

Scopes Window

If the values on the graph in one or several color channels touch the X-axis, it suggests a loss of color hues. This means that the corresponding color components are absent or insufficient.

Scopes Window

If the graph is shifted to the left, it indicates an underexposed image, where the brightness and details in the dark areas are not prominent enough.

Scopes Window

If the graph is shifted to the right, it indicates an overexposed image, where the brightness and details in the light areas are lost.

Scopes Window

By analyzing the RGB curves, you can gain valuable insights into the overall tonal distribution and make adjustments to achieve the desired color balance and exposure in your video.

Vectorscope

Vectorscope is a powerful tool for visualizing and analyzing the color components of an object. It presents the hues and saturation levels of colors in a selected frame using a circular diagram divided into segments. Each segment represents a specific color, such as yellow, red, magenta, blue, and others, indicated by corresponding square brackets.

Each color segment on the vectorscope has a radius, representing the distance from the center of the diagram to the edge. The length of the radius indicates the saturation or intensity of the color value. A longer radius indicates higher saturation, while a shorter radius indicates lower saturation. For example, if the color value extends beyond the radius of the diagram, it means that the frame is oversaturated.

Above the vectorscope, you will find four options with additional functions:

Vectorscope modes: The first icon from the left allows you to select from three available display modes. The classic mode displays a vectorscope graph as a traditional circle diagram with indicators, providing a general idea of color distribution in a frame. The vector mode splits the diagram into sectors of different colors, allowing for a more detailed examination of color distribution and specific hues. The Hide graticule/vectors mode shows only the color values of the object on the vectorscope, hiding the sectors, circle, and indicators. This mode is useful when you want to focus solely on the color of the object.

Scopes Window

Color borders: The second icon controls the display of color borders represented as square boxes. There are six of these boxes, and they indicate excessive saturation of the object.

Color mode: The third icon allows you to toggle the display of color in the graph. When activated, the diagram displays the color palette, illustrating the distribution of hues. When deactivated, the graph displays black, gray, and white hues.

Skin tone radius line: The last icon activates a line indicating optimal color values for more precise skin tone adjustment. When analyzing a frame with a person in it, you can observe how the pixels on the graph align with this line. If the pixels match the line, it indicates that the color values in the frame correspond to the optimal skin tone color. If the pixels deviate significantly from the line, color correction may be needed to align them.

Once you have selected the mode, you can analyze how the colors and saturation levels are distributed on the vectorscope. If you notice any unevenness or issues on the graph, you can use the corresponding color correction effects or tools from the Lift, Gamma & Gain tools in VSDC. These tools allow you to adjust color values, saturation, and other parameters to achieve the desired result.

Wrapping up

The Scopes window in VSDC provides reliable tools for enhancing the quality of your images. Even with basic skills, you can effectively control the contrast level, saturation, and color balance in your projects without risking the loss of details or making exposure mistakes. We encourage you to explore and experiment with these tools and share your successes with us.

It's important to note that there is no universal rule or one-size-fits-all approach to pixel distribution in a graph. You have the freedom to deviate from the classical representation of the graphs based on your preferences, objectives, or the mood you wish to convey. Feel free to customize and adapt the graphs according to your creative vision.

Should you have any questions, do not hesitate to reach out at This email address is being protected from spambots. You need JavaScript enabled to view it., through Facebook or Twitter.

Hotkeys VSDC Free Video Editor

Boost your productivity and enhance editing efficiency with our extensive collection of keyboard shortcuts tailored for VSDC Free Video Editor. Download the convenient PDF file and swiftly navigate through various features and commands, streamlining your workflow and elevating your video editing skills to new heights!

Download hotkeys map for VSDC video editor

Additionally, VSDC Free Video Editor allows you to customize your desired hotkeys. To do so, simply access the Options menu and navigate to the Keyboard Shortcuts tab.

In this section, you will discover the available keyboard shortcuts in the editor and learn how to reassign them or create your own combinations. The first field, Keyboard Scheme, is designed for users transitioning from different video editing software. You'll find four pre-defined keyboard shortcut schemes there: Default, Adobe Premier, Filmora, and HitFilm.

A comprehensive list of all available hotkeys can be found in a table at the center of this window. To quickly find the desired keyboard shortcut, use the Shortcuts filter option.

Selecting any command from the table will display its assigned hotkey in the Shortcut for selected commands field. If necessary, you can remove the assigned hotkey using the option of the same name or reassign it in the Press shortcut keys field.

Be cautious that if the new combination is already being used by another action, you will receive a warning in the Shortcut currently used by field.

If you wish to reset the keyboard shortcuts to their default settings, simply click the Reset button next to the Keyboard scheme.

To make this process even more accessible, we have provided a helpful video below, illustrating the entire customization process.

How to Work with Color Keyframes in Effects

Color plays a vital role in establishing the atmosphere and mood of a video. Different color palettes evoke various emotions in viewers, ranging from vibrant and bright to dark and somber. While classic color correction can help create the desired mood, effects can further enhance the impact.

Mastering Color Keyframes in VSDC: Create Stunning Animations

In the latest update 8.2, the VSDC team has expanded the functionality of effects by introducing color keyframes. This new feature allows you to create keyframes and modify colors within effects. It provides you with greater flexibility to experiment with colors according to your preferences and evoke the desired emotions in your audience.

Let's dive into this new feature and explore how it can assist you in adding a unique and memorable style to your videos.

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Step 1 – Create additional keyframes

To begin, create a project and simply drag the desired media file from the desktop to the timeline. Alternatively, you can use the Add an object option located to the left of the preview window. Next, select the media file on the timeline and apply an effect with color parameters. For instance, let's select the LensFlare effect (Editor - Video effects - Nature).

Click on the effect to select it, and the properties window will appear on the right-hand side. If the properties window does not show up, right-click on the effect and choose Properties. Look for the Color Tone property within the properties window. This is where we will create and adjust the keyframes. To access the keyframe window, click on the three dots next to this parameter.

Color Tone

By default, the effect contains two keyframes - the first and the last one. On the timeline, these keyframes are represented as squares of a uniform light brown color. In the properties window, the keyframes are displayed as diamond-shaped icons within the Color Tone parameter. If the diamond icon is filled with color, it means that a keyframe has been created. If you see only the outline of the diamond icon, it indicates that no keyframe is present, and you can create one.

Color Tone parameter

To create a keyframe:

Place the cursor on the timeline where you want to create a keyframe
Go back to the properties window to the Color tone parameter and find a diamond-shaped icon
Click on the icon to create a new keyframe

Add as many keyframes as necessary to achieve the desired effect.

To navigate between frames, use the arrows located to the left and right of the keyframes icon. This allows you to move back and forth between the created keyframes.

If you want to remove a keyframe, simply place your cursor on it and click on the filled diamond-shaped icon. This will delete the selected keyframe from the sequence.

Step 2 – Assign colors to keyframes

After creating keyframes, you can assign different colors to them, thereby adding vibrancy and expressiveness. To select a desired color, follow one of these actions:

Double-click on a keyframe on the timeline to open the color palette.

Go to the properties window and click on the small color square that represents the current tone of the keyframe. This will open the color palette.

From the palette, you can choose a color by clicking on it or by specifying its RGB or HEX value. You can also change colors by moving the keyframe up or down on the timeline while holding the Shift key. This allows you to select the desired position.

To select a color from the scene itself, use the Eyedropper tool located in the properties window. Click on the tool and then select a color from the scene. Please note that the Eyedropper tool is only visible when the timeline cursor aligns with a keyframe.

Each keyframe can have a different color, and the algorithm will ensure a smooth transition between them. The gradient line below the keyframes on the timeline will automatically update, showing how the effect color will change during playback.

If you want to adjust when a keyframe appears or disappears in the video, simply move it to the right or left on the timeline while holding the Shift key.

Above the timeline in the keyframe window, you will find a quick access panel for the main keyframe functions. Here, you can create and delete keyframes using the diamond-shaped and bin icons, and configure other keyframe parameters. Let's examine them in more detail.

Configure other keyframe parameters

If you want to assign one color to all keyframes, select the Constant parameter value option. It will remove all previously created keyframes except for the first and the last one. The color of the last keyframe will adapt to the color of the first one.

If you want to create a smooth transition between the colors of the first and the last keyframes, select the Linear parameter change option. You can assign different colors to the first and the last keyframes, and the algorithm will ensure a smooth transition between them.

If you want to go back to the mode with multiple keyframes of different colors, select the Linear parameter change along a trajectory function. All created keyframes except for the last one will be restored.

If you have already achieved the desired result, you can finish the lesson at this step. However, if you wish to change the weight of the color or add another effect, continue following the instructions.

Step 3 – Experiment with the color weight

If you want the color to last longer during the transition between keyframes, you can adjust its weight. Follow these steps:

Place the cursor on the timeline at the keyframe you want to extend.
Click on Parameter change along a Bezier curve.
While holding down the Ctrl button, you can horizontally extend the vectors from the keyframe to the left or right. It's important to note that changing the vertical position of the vectors will not affect the color's weight.

These vectors represent the extension of the color of the keyframe. The longer the vector, the longer the color will remain constant without transitioning to another color. If the vector is not visible, it indicates a smooth transition between keyframes, as both colors have a similar weight.

By adjusting the weight of the color, you can emphasize the importance of a certain color and create the desired effect in your video.

Step 4 – Add effects and synchronize parameters

You can synchronize colors in keyframes when you have several identical effects applied to the object. For example, you can add one or more additional LensFlare effects to the object.

To synchronize the colors of the keyframes, follow these steps:

Select two or more identical effects on the timeline.
In the properties window, locate the Color tone parameter and find the synchronize icon. Click on it.

Now, all the keyframes of the second effect will have the same colors as the first one. Therefore, it is important to ensure that the first effect you select is the one from which you want the colors to be copied to the other effects.

Wrapping up

We hope that this lesson has helped you understand the new capabilities of VSDC and has inspired you to experiment with keyframes. Creating a dynamic color palette for your videos can greatly enhance the visual experience and add uniqueness to your projects.

We encourage you to explore and implement your artistic vision in your projects. Use the new tools, play with colors, create stunning transitions, and compose expressive visuals. The possibilities are endless.

If you encounter any issues or need assistance, please don't hesitate to reach out to our support team at This email address is being protected from spambots. You need JavaScript enabled to view it. or through our social media channels on Facebook or Twitter. We are here to help.

Good luck with your artistic projects!

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