Color plays a vital role in establishing the atmosphere and mood of a video. Different color palettes evoke various emotions in viewers, ranging from vibrant and bright to dark and somber. While classic color correction can help create the desired mood, effects can further enhance the impact.

In the latest update 8.2, the VSDC team has expanded the functionality of effects by introducing color keyframes. This new feature allows you to create keyframes and modify colors within effects. It provides you with greater flexibility to experiment with colors according to your preferences and evoke the desired emotions in your audience.

Let's dive into this new feature and explore how it can assist you in adding a unique and memorable style to your videos.

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Step 1 – Create additional keyframes

To begin, create a project and simply drag the desired media file from the desktop to the timeline. Alternatively, you can use the Add an object option located to the left of the preview window. Next, select the media file on the timeline and apply an effect with color parameters. For instance, let's select the LensFlare effect (Editor - Video effects - Nature).

Click on the effect to select it, and the properties window will appear on the right-hand side. If the properties window does not show up, right-click on the effect and choose Properties. Look for the Color Tone property within the properties window. This is where we will create and adjust the keyframes. To access the keyframe window, click on the three dots next to this parameter.

By default, the effect contains two keyframes - the first and the last one. On the timeline, these keyframes are represented as squares of a uniform light brown color. In the properties window, the keyframes are displayed as diamond-shaped icons within the Color Tone parameter. If the diamond icon is filled with color, it means that a keyframe has been created. If you see only the outline of the diamond icon, it indicates that no keyframe is present, and you can create one.

To create a keyframe:

• Place the cursor on the timeline where you want to create a keyframe
• Go back to the properties window to the Color tone parameter and find a diamond-shaped icon
• Click on the icon to create a new keyframe

Add as many keyframes as necessary to achieve the desired effect.

To navigate between frames, use the arrows located to the left and right of the keyframes icon. This allows you to move back and forth between the created keyframes.

If you want to remove a keyframe, simply place your cursor on it and click on the filled diamond-shaped icon. This will delete the selected keyframe from the sequence.

Step 2 – Assign colors to keyframes

After creating keyframes, you can assign different colors to them, thereby adding vibrancy and expressiveness. To select a desired color, follow one of these actions:

• Double-click on a keyframe on the timeline to open the color palette.
• Go to the properties window and click on the small color square that represents the current tone of the keyframe. This will open the color palette.

From the palette, you can choose a color by clicking on it or by specifying its RGB or HEX value. You can also change colors by moving the keyframe up or down on the timeline while holding the Shift key. This allows you to select the desired position.

To select a color from the scene itself, use the Eyedropper tool located in the properties window. Click on the tool and then select a color from the scene. Please note that the Eyedropper tool is only visible when the timeline cursor aligns with a keyframe.

Each keyframe can have a different color, and the algorithm will ensure a smooth transition between them. The gradient line below the keyframes on the timeline will automatically update, showing how the effect color will change during playback.

If you want to adjust when a keyframe appears or disappears in the video, simply move it to the right or left on the timeline while holding the Shift key.

Above the timeline in the keyframe window, you will find a quick access panel for the main keyframe functions. Here, you can create and delete keyframes using the diamond-shaped and bin icons, and configure other keyframe parameters. Let's examine them in more detail.

If you want to assign one color to all keyframes, select the Constant parameter value option. It will remove all previously created keyframes except for the first and the last one. The color of the last keyframe will adapt to the color of the first one.

If you want to create a smooth transition between the colors of the first and the last keyframes, select the Linear parameter change option. You can assign different colors to the first and the last keyframes, and the algorithm will ensure a smooth transition between them.

If you want to go back to the mode with multiple keyframes of different colors, select the Linear parameter change along a trajectory function. All created keyframes except for the last one will be restored.

If you have already achieved the desired result, you can finish the lesson at this step. However, if you wish to change the weight of the color or add another effect, continue following the instructions.

Step 3 – Experiment with the color weight

If you want the color to last longer during the transition between keyframes, you can adjust its weight. Follow these steps:

• Place the cursor on the timeline at the keyframe you want to extend.
• Click on Parameter change along a Bezier curve.
• While holding down the Ctrl button, you can horizontally extend the vectors from the keyframe to the left or right. It's important to note that changing the vertical position of the vectors will not affect the color's weight.

These vectors represent the extension of the color of the keyframe. The longer the vector, the longer the color will remain constant without transitioning to another color. If the vector is not visible, it indicates a smooth transition between keyframes, as both colors have a similar weight.

By adjusting the weight of the color, you can emphasize the importance of a certain color and create the desired effect in your video.

Step 4 – Add effects and synchronize parameters

You can synchronize colors in keyframes when you have several identical effects applied to the object. For example, you can add one or more additional LensFlare effects to the object.

To synchronize the colors of the keyframes, follow these steps:

• Select two or more identical effects on the timeline.
• In the properties window, locate the Color tone parameter and find the synchronize icon. Click on it.

Now, all the keyframes of the second effect will have the same colors as the first one. Therefore, it is important to ensure that the first effect you select is the one from which you want the colors to be copied to the other effects.

Wrapping up

We hope that this lesson has helped you understand the new capabilities of VSDC and has inspired you to experiment with keyframes. Creating a dynamic color palette for your videos can greatly enhance the visual experience and add uniqueness to your projects.

We encourage you to explore and implement your artistic vision in your projects. Use the new tools, play with colors, create stunning transitions, and compose expressive visuals. The possibilities are endless.

If you encounter any issues or need assistance, please don't hesitate to reach out to our support team at This email address is being protected from spambots. You need JavaScript enabled to view it. or through our social media channels on Facebook or Twitter. We are here to help.

Good luck with your artistic projects!

VSDC 8.1 has brought curve lines to the graphic object toolbar, and it opens a lot of new possibilities for video creators.

You can use curve lines in your videos to outline objects, underline text, and even create beautiful animations. In this tutorial, we’ll walk you through the following:

• How to create a curve line in a video
• How to fill a curve line with a gradient
• How to use a curve line as a movement trajectory
• How to wrap text around a curve line
• How to make a curve line move in a video

After mastering all of these techniques, you'll be able to create incredible results by combining them with other effects or layering these lines on top of each other. For instance, check out our video below on how to create the Stream of Light Effect, or download the project file and start experimenting yourself. The possibilities are endless!

Without further ado, let’s get started.

How to add a curve line to the scene

To get started, create a new project and select Curve line from the toolbar (at the top or on the left). Then click OK in the pop-up window to confirm the default settings.

Like free shapes, curve lines consist of control points and splines. To start drawing the line, place two or more control points on the scene with mouse clicks.

To turn straight lines into smooth splines, select any control point, press and hold the Ctrl key and start dragging the point to the side. Two vectors will appear from the control point: red and green. Use them to continue fine-tuning the shape of the curve line until you achieve the desired look.

In the following sections, we’ll talk about curve line settings, and show you how to turn a curve line into a beautiful graphic object or animation.

To access the settings menu, double-click on the curve line layer and head over to the Properties window. There are two groups of settings available: Common settings and Curve line settings.

Common settings allow you to rename the object on the timeline, set up the exact time when the curve line will appear on the screen, and define how long it will remain in the video. You can also use this group of settings to adjust the position coordinates of the curve line on the screen.

Curve line settings allow you to set the thickness and the color of the line, choose fill type, create animation, and customize the object.

Let’s review the parameters from this group one by one.

Curve line settings

The first group of parameters allows you to adjust the basic characteristics of the curve line: its color, thickness, and fill type.

Pen

There are 5 fill types available under the Pen menu:

• Solid
• Gradient
• Point gradient
• Image pattern
• Path mode

Depending on the selected mode, you’ll be able to set up additional parameters. Let’s walk you through the settings of each mode.

Solid

Solid means solid color fill of the curve line. In this mode, you can select the fill color and the thickness of the line. Note that you can set the difference between the Initial and Final values, which means that the line will be getting thicker or thinner during the playback.

Gradient

Gradient mode creates a simple gradient fill between the first and the last points. For this mode, you can either select two colors or use one of the patterns from the Gradient settings menu.

Point gradient

The next mode is called Point gradient, and it creates a multicolor gradient fill by assigning individual colors to each control point.

In this mode, you need to select the desired control point, then click Add parameters, and proceed to Pen gradient settings.

From there, you can pick a color for the control point, adjust its weight (the spread of the color assigned to the point) and the opacity of the adjacent area.

Image pattern

The Image pattern mode allows you to import an image to the program and use it as a pattern to fill the curve line. We recommend using small PNG images with transparent backgrounds, however, it’s not a requirement. This is what the result looks like:

In this mode, you can also adjust the starting position and the visible length of the pattern. If you start changing these parameters, the image pattern will be disappearing from the start of the curve line or its end accordingly.

Path mode

Finally, the Path mode is designed to turn curve lines into movement paths. If you select this mode, the curve line will be invisible on the scene and serve as a trajectory for a moving object.

Here is how to use this mode.

Go back to the main timeline tab and make a right mouse-click on the curve line, then select Convert to movement path. In the conversion pop-up window click OK to confirm the default settings.

Once you convert the curve line into a movement path, select the Movement layer on the timeline and copy it:

Then go back to the main timeline tab and import or create the object you want to animate. For our example, we’ll be using a small image. Make a double-click on that object and paste the movement layer to the timeline. This is what the result will look like (remember that the curve line will be invisible in this mode):

Note that if you go back to the curve line settings, you can adjust the parameters named Starting position and Visible length. They define the point from the start of the line where the object starts moving and the point before the end of the line where the object stops. For example, if you set Starting point at 25%, the object will start moving 25% down the line; if you set Visible length at 25%, the object will stop moving 25% before the end of the line.

How to wrap text around a curve line

The Path mode also allows for wrapping text around the curve line while maintaining the line invisible. Here is how it works.

Make sure you’ve selected Path mode in the dropdown menu first, then go back to the main timeline tab and add a text object.

Make a double-click on the text object and go to the Properties window; open Binding to path options and select the curve line you created earlier. Your text will adjust accordingly:

Note that the original text object is only visible in the editing mode. As soon as you activate the playback, it will disappear.

There are a couple more parameters you can use to adjust the appearance of the wrapped text:

Mode allows you to place the text above, in the center, or below the curve line.

Stretch to length allows you to stretch the text to the length of the line or keep the original length.

Clipping allows you to create a clipping mask using the original text object frame.

Approximation allows you to smooth text curves.

How to animate curve lines

In the last section of this tutorial, we’ll show you how to animate curve lines. To do that, you’ll be using three parameters:

• Direction (clockwise or counterclockwise)
• Starting position
• Visible length

Let’s start with the basic concepts.

Starting position defines the point on the line where the fill starts being visible. Visible length defines the percentage of the line that is visible. For example, if you set 20% for the former and 70% for the latter, the gradient fill will not cover the first 20% and the last 30% of the line:

If you leave these settings as is, the curve line will remain still. However, if you expand the menus and set the Initial and Final values, you can create animation. For example, if you set the Initial value for Starting position at 0% and the Final value for Starting position at 50%, the fill will be slowly disappearing during the playback:

You’ll get a similar result if you set the following parameters for Visible length:

• Initial value: 100%
• Final value: 0%

The only difference is that the fill will be disappearing from the end of the curve line:

Finally, you can play around with the settings and select the desired values for both parameters. For example, you can create an effect of a moving line by setting the Visible length at 10% and the Starting point at 0;100%:

Note that if your curve line is closed, the movement will continue for as long as the curve line object is visible on the screen.

Curve lines are already available in the free version of VSDC

Now you know everything to get started with curve lines. Go ahead and try adding them to your videos! Curves are available in the free version of VSDC unless you choose to use a non-linear parameter change mode for the initial-final value change.

Got any questions? Email us at This email address is being protected from spambots. You need JavaScript enabled to view it. or Facebook DM and Twitter.

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VSDC Multicam gives video creators a professional workflow for synchronizing footage from multiple cameras, switching angles during playback, and managing video and audio from one editing workspace. It is ideal for interviews, podcasts, live events, performances, tutorials, product demonstrations, and any project recorded from several viewpoints.

With VSDC Free Video Editor, you can create a multicam clip from two camera angles, synchronize the sources by sound or timecode, choose a master audio track, switch between shots in real time, and export the finished video without a watermark. Projects that require three or more camera angles can be edited in VSDC Pro.

Watch the video tutorial below, then follow the complete step-by-step guide to create your own multi-camera video in VSDC.

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Before you start: prepare your multicam footage

A few simple preparation steps will make synchronization faster and angle switching more precise:

• Import every camera recording and any separate microphone or audio-recorder track you plan to use
• Choose the cleanest recording as the master audio track for the finished video
• Use a synchronization clap, spoken cue, music, or another clear common sound when recording
• Give the camera files clear names so that every angle is easy to identify
• Check smartphone footage for orientation and variable frame-rate differences before editing
• For demanding 4K or high-bitrate footage, generate proxy media in the Resources window to keep preview and angle switching smooth

VSDC uses the original source files during export, so working with proxy media improves editing performance without reducing the quality of the final video.

Step 1. Import the camera and audio files

Open the Resources window on the right. If it is hidden, go to the View tab, select Resources, and click View/Hide window. Drag the camera files and audio recordings from your computer into the Resources window.

Select all sources you want to include, right-click the selection, and choose Create a multicam clip. VSDC will open the multicam settings, where you can choose the synchronization method, camera naming system, and default audio track.

Step 2. Synchronize and configure the multicam clip

The multicam settings window brings the essential preparation tools together in one place. Configure the synchronization mode, camera names, and master audio track before adding the clip to the timeline.

Choose a synchronization mode

VSDC provides four synchronization methods, allowing you to match camera recordings according to the way the project was captured.

• In — aligns the clips by their starting points
• Out — aligns the clips by their ending points
• Timecode — synchronizes footage using the timecode stored in the source files
• Sound — analyzes the audio tracks and aligns matching sound automatically

For interviews, concerts, presentations, and events where every camera recorded the same audio, Sound mode is usually the most convenient choice. VSDC analyzes the shared audio and aligns the recordings automatically.

If the cameras were recorded with matching timecode, choose Timecode for a metadata-based professional workflow. Use In or Out when the recordings have a reliable common starting or ending point.

Name the camera angles

The Camera name setting determines how the sources are labeled in the Multicam panel. You can use sequential numbers, angle names, camera metadata, or another available naming method.

Clear names such as Wide shot, Speaker close-up, or Camera 2 make it easier to recognize each angle while editing, especially when several recordings show similar scenes.

Select the default audio track

Use the Default track menu to choose the main audio source for the multicam clip.

For a polished result, select the cleanest and most consistent recording. This may be the audio from a dedicated microphone, an external recorder, or the main camera. You can keep this master track playing continuously while switching only the video angles.

When the settings are ready, click OK. VSDC will create the synchronized multicam clip and add it to the Resources window.

Step 3. Add the multicam clip to the timeline

Find the newly created multicam clip in the Resources window and drag it onto the timeline.

The multicam clip appears as a single, easy-to-manage object containing all selected camera and audio sources. Green markers indicate the boundaries of the source recordings and help you see where each file begins and ends.

This compact timeline design keeps the project organized while the dedicated Multicam workspace gives you direct access to every camera angle and audio source.

Step 4. Switch camera angles and control the audio

Open the View tab and select Sources. At the bottom of the Sources window, switch the workspace from Source to Multicam. The panel will display all camera angles and audio files included in the selected multicam clip.

To change the active angle, click the required camera in the Multicam panel. You can switch shots while the video is playing to build the edit in real time, or pause playback and select angles with frame-level precision.

VSDC provides three editing modes for controlling how each selection affects the video and audio:

• Split audio and video — switches both the picture and the corresponding audio source
• Split video — changes the camera angle while preserving the current master audio track
• Split audio — changes the audio source without switching the active video angle

For interviews, podcasts, and performances, Split video is often the best option because it lets you switch camera angles while keeping one clean audio track uninterrupted. Use Split audio and video when each angle should bring its own sound, or Split audio when you need to replace only the audio source.

The same controls are available on the Multicam toolbar, so you can use the panel or the ribbon controls according to your preferred editing workflow.

Step 5. Refine and export the multicam video

After selecting the camera angles, use the standard VSDC editing tools to polish the project. You can trim unwanted sections, adjust colors, improve the audio, add titles, transitions, captions, logos, and visual effects, and fine-tune the timing directly on the timeline.

To export the finished multicam video, open the Export Project tab. Choose PC or Web as the target device, select MP4 or another required output format, and choose a profile that matches the resolution and frame rate of your project.

Use Edit profile when you need detailed control over the codec, resolution, frame rate, bitrate, and audio parameters. Then click Export Project to render the video. VSDC Free and VSDC Pro export without adding a watermark to the finished file.

For a complete explanation of the available formats and profiles, see the VSDC project export guide.

Why use VSDC for multicam video editing?

VSDC combines multi-camera synchronization, real-time angle switching, flexible audio control, proxy editing, professional effects, and watermark-free export in one non-linear video editor for Windows. The workflow is suitable for beginners who are creating their first two-camera interview as well as experienced creators producing complex event, podcast, performance, and tutorial videos.

VSDC Free Video Editor supports multicam projects with up to two camera angles. When your production requires three or more angles, VSDC Pro expands the multicam workflow while providing additional professional editing and performance tools.

Frequently Asked Questions

1. How many camera angles can I use in VSDC Multicam?

VSDC Free Video Editor supports multicam projects with up to two camera angles. VSDC Pro removes this two-angle limit, making it the right choice for productions that use three or more cameras.

2. How do I synchronize multiple cameras by audio in VSDC?

Select Sound as the synchronization mode when creating the multicam clip. VSDC analyzes the audio recorded by each source and aligns matching sections automatically. For the best result, make sure every camera captured a clear common sound such as speech, music, or a synchronization clap.

3. How do I display both video and audio when switching camera angles?

Open the Sources panel, switch it to Multicam mode, and select Split audio and video. This mode updates both the active camera angle and its audio. Use Split video when you want to keep one continuous master audio track while changing only the picture.

4. Can I combine smartphone and camera footage in a VSDC multicam project?

Yes. VSDC can combine footage recorded with smartphones, cameras, action cameras, and external audio recorders in the same multicam project. Before creating the clip, check the orientation, frame rate, resolution, and audio quality of each source for the smoothest workflow.

5. How do I open the Multicam preview panel in VSDC?

Open the View tab and select Sources. At the bottom of the Sources window, switch the workspace from Source to Multicam. The panel will display the camera angles and audio sources included in the selected multicam clip.

Ready to create a professional multi-camera video? Download VSDC Free Video Editor and start editing synchronized camera angles today. For product questions, email us at This email address is being protected from spambots. You need JavaScript enabled to view it. or send us a message through Facebook.

Motion blur effect often occurs naturally, both in photos and videos, when objects are moving faster than a camera can capture. It’s especially common if you’re shooting at a low frame rate. However, you may want to intentionally add motion blur to your video, and there are several ways to do that during post-production.

In this tutorial, we’ll show you how to make a motion blur video effect using VSDC, a free video editor for Windows.

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It’s an easy effect that will take you a few minutes, and you’ll be able to adjust it to your needs – for instance, by changing the motion type or fine-tuning blur levels. More so, you can apply the effect to the entire video, selected frames, or added graphics including text, shapes, or images.

But before we move on, let’s answer one important question.

What will the result look like?

Motion blur effect is a broad term, so it can be perceived differently. Some creators expect a video with a blurred background and an object that remains in focus. Others expect a visible motion trail created by the object’s movement – this effect is also known as a visual echo effect.

In this tutorial, we’re covering the first example of motion blur. If you’d like to learn how to make a visual echo effect, read this guide instead.

Now that we’ve sorted that out, let's get started!

Step 1. Upload your video to VSDC

To get started, launch VSDC on your computer and import your video into the program. You can either use the Import content button on the start screen or create a blank project and drag the footage to the scene.

Now, if you want to apply the effect to the entire video, move on to step 2. If you want to apply it to a fragment, use the razor icon at the top (or press Ctrl + K) to split the video and separate the desired fragment.

Step 2. Apply the motion blur effect

Select the video on the timeline, then open the Video effects menu, proceed to Filters, and select Motion blur.

In the next sections we’ll show you the difference between three motion blur presets and explain how to adjust their looks.

Select the motion blur preset for your video

Once you’ve applied the effect, it will open in the second tab on the timeline. From there, you’ll be able to adjust the appearance of motion blur using the Properties window. If you struggle to find the Properties window, make a right mouse-click on the effect, and select Properties – the corresponding window will slide in from the right.

In the settings, you can select one of the three motion types available:

• Linear motion
• Radial motion
• Zoom motion

Based on the name of these presets, you can probably assume what they look like. Linear motion is the motion in straight lines; radial motion is the circular motion around the center of the effect; zoom motion is the motion in the background of the object that’s zoomed in and appears slightly more in focus.

Since a picture is worth a thousand words, here is a quick demo:

Adjust the settings

Each motion type has slightly different settings, but essentially, there are two things you can change: distance and angle. The former defines the length of blur streaks, and the latter defines their angle. For example, if you select linear motion, you can adjust both, blur distance and blur angle. If you select zoom motion, you can only adjust blur distance, and if you select radial motion, you can only adjust blur angle:

Notice that you can move the center of the effect by dragging the crosshair around the scene and thus control the area that stays in focus.

Pro tip: you can also make the effect increase or decrease over time. If you expand the blur angle or blur distance menu, you’ll be able to set the initial and final values for these controls. For example, if you set the final value higher than the initial value, the video will be getting blurrier over time. This approach might work well for transitions, intros, and outros.

Step 3. Export your video

When you’re done, open the Export project tab and select the platform where you intend to use your video; then hit Export. For example, if you’re planning to publish it on YouTube, select Web —> YouTube. To change the video quality or other parameters, use the Edit profile menu under the preview window.

Bonus: how to add motion blur to text in a video

Before we wrap up this tutorial, let’s see an example of motion blur applied to text in a video. You can use this effect to create a stylish title intro or artistic captions.

Once you’ve added text to your video, select it on the timeline and apply the motion blur effect following the steps we described earlier. Since added text objects are static per se, we recommend either adding movement to the text or setting different initial and final values for the effect, as demonstrated below:

In the same manner, you can apply motion blur to any other added graphics in your video including images, shapes, and icons.

Wrapping up

There are a few reasons why you might want to use a motion blur effect in your videos. First, motion blur can help you create a sense of action and emphasize fast movement – whether it’s the movement of the object in your video or the background. Second, zoom motion is an excellent way to drive the viewers’ attention to the object in focus. Finally, blurring the video is a popular artistic approach used to convey a sense of drama or excitement, especially when transitioning between scenes.

With VSDC, you can add motion blur to your videos within minutes. Give it a try and explore other tools and effects this software brings at zero cost.

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